By Sault Tourism
The Art Gallery of Algoma is a public gallery dedicated to cultivating and advancing the awareness of visual arts in Sault Ste. Marie and Algoma. Approximately 24 exhibitions are mounted each year featuring local, national and international artists. The art gallery also boasts an ever-growing permanent collection of 5,000 works of art and an arts-related resource centre.
In the summer and fall of 2024, the Art Gallery of Algoma hosts a special exhibit by Group of Seven painter Franklin Carmichael, a gallery on the Canadian Wilderness, also featuring works from Group of Seven artists, a beautiful photography display, and pieces of renowned Indigenous art. Keep reading to learn more, or click on this link to go to the Art Gallery website.
The town of Cobalt, Ontario—some 500 kilometres north of Toronto—was established in 1904 following the discovery of rich silver, cobalt, ore, and nickel deposits. At peak production in 1911, Cobalt provided approximately one eighth of the world’s silver. In its heyday, the story of Cobalt was known around the world, and the town attracted miners, scientists, scholars, and of course, artists.
This exhibition, which run to October 12, showcases the work of the artists who visited and documented Cobalt and its silver mines between the First and Second World Wars, after much of the natural resource deposits were depleted. Among them was a rising generation of Canadian modern painters which included Yvonne McKague Housser, Bess Larkin Housser Harris, Isabel McLaughlin, Frederick Banting, A.Y. Jackson, and Franklin Carmichael. These artists created works that depicted Canada as a new, modern industrial nation in step with the future — a contrast to the better-known works from this period that picture Canada as untouched wilderness. While some artists conjured Cobalt as a heroic bastion of industry and enterprise, others focused on the town’s grit and dishevelment. This exhibition and its accompanying publication will explore both sides of this dynamic relationship and shine new light on the settler relationship with the natural landscape.
Organized and circulated by McMichael Canadian Art Collection.
Curated by Dr. Catharine Mastin Ph.D.
Love of Canadian Wilderness features artwork by the Group of Seven from the Art Gallery of Algoma’s permanent collection.
The Group of Seven in Canadian art history remains the most recognizable art group for over a century. One of their favourite places to paint and visit was Algoma and the shores of Lake Superior. This rugged landscape, mostly wild and untouched, remains to this day an inspiration to many contemporary artists.
The way in which the Group of Seven artists depicted the Canadian landscape is still the image instilled in people’s minds when they think about Canada. It is a perception of stunning natural beauty, adventure in the wilderness, solitude, and admiration of nature. Algoma is a huge part of it.
Fifteen Minutes of Fame? presents photographs from the Art Gallery of Algoma’s permanent collection. While technology can facilitate Internet stardom today, these glossy black-and-white photographs by acclaimed American photographers Edward Steichen (1879-1973) and Larry Fink (1941-2023) present fame through the glamorous world of actors, writers, and visual artists from the 1920s to the early 2000s, as well as gritty scenes of boxing matches in the 1990s.
Gallery 3 presents a rotating selection of paintings from the permanent collection and on the lobby of the Art Gallery is where you’ll find work from Norval Morrisseau
Norval Morrisseau (1931-2007) is the most known and recognized Indigenous artist in Canada. He is considered the founder of the Woodland School of art, which is the art style based on the traditional Indigenous legends. It is unmistakably recognizable through the use of bright colours, bold lines, heavy black outlines of forms and X-ray views of people, animals and spirits. He was the first to break traditional rules by depicting spiritual knowledge in his paintings. Morrisseau’s images carry powerful messages, they are full of symbolism and spirituality translating oral into visual stories. This exhibition features a selection of his works from the Art Gallery of Algoma’s permanent collection.
The Art Gallery of Algoma offers a number of tours that are designed to engage out of town visitors and local community members alike. Please contact us about any of the tours listed below. Custom tours are available upon request with 48 hours prior notice. Occasionally, group tours can be booked outside of regular hours of operation dependent on staff availability.
Tours include a Group of Seven Painting Tours, Art & Architecture Tour, Tour and Lunch, Guided Tour and Art Activity or a Wine and Cheese Reception. Get all the details by clicking here.
Book your seat on the narrated, one-day, round trip Agawa Canyon Tour Train and you’ll pass several sites captured by the Group of Seven while marvelling at the rugged beauty of the Canadian landscape.
View scenes that inspired some of the most famous works of art from the Group of Seven including The Solemn Land (based on Montreal River Harbour) and Algoma Waterfall (based on Bridal Veil Falls), by J.E.H MacDonald. The original sketch of The Solemn Land, painted after MacDonald first visited the area in 1918, is part of the permanent collection at the Art Gallery of Algoma.
When the train stops within the Agawa Canyon, hike towards Bridal Veil Falls where you’ll see the cascading tiers of water which inspired multiple sketches and paintings by members of the Group of Seven including Lawren Harris and the aforementioned J.E.H. MacDonald.
The” Soo”, as it’s known to locals, has embraced the regions “colourful” Group of Seven history, not only through the art in the gallery, but also embracing their rail history as well. For the artists and for you, Sault Ste. Marie will be the send off into the region. One hundred and one years ago, with no highways going north, the group utilized the railway, catching the train in Sault Ste. Marie. Along this rail line they camped and paddled through the remote areas allowing them a feeling of peace and tranquility they could not find in the larger cities in southern Ontario. They came here to heal from the war and to try to make sense of the untimely death of their friend Tom Thomson. But they did much more than heal, they found themselves, and their inspiration through the landscapes of this beautiful region. Much like the tourists of today, once the Group of Seven visited the first time, they came again and again.
If you are riding the rails into Algoma on the Agawa Canyon Tour Train, your departure will be the beautiful new train station. But whether you are riding the train or not, the brand-new train station, as well as the rail car #10557, are a must do stop! The bright red boxcar was recreated for the documentary, A Painted Land, In Search of the Group of Seven, and remains on display outside the train station. It is a perfect replica of the rail car that the Group called home many times through their travels in Algoma. It’s a perfect photo op for the true Group of Seven fan.
As you travel through Algoma Country, in search of the Group of Seven’s inspirations, you would be remiss if you did not start your trip by visiting the Art Gallery of Algoma. Located on the St. Marys River, the Art Gallery of Algoma is home to a diverse permanent collection of artwork – including original pieces by members of the Group of Seven. Find an interpretive panel in the Elsie Savoie Sculpture Park near the boardwalk.
The Art Gallery of Algoma’s permanent collection includes numerous Group of Seven site specific sketches and studies. Shop for Group of Seven related books, gifts, calendars and memorabilia in the gift shop. Be sure to visit the Gallery’s website for ongoing and rotating Group of Seven exhibits
You can experience their travels on the rail, and travel along the coastline of Lake Superior by vehicle on Highway 17 North. Starting just outside of Sault Ste. Marie at Chippewa Falls, and continuing along Ontario’s most beautiful coast to Nipigon/Red Rock you will find many sites and interpretive panels that will tell more of the story of the Group of Seven in this region. Don’t travel fast but rather enjoy, explore, and pause. You will gain a better understanding of why this area was a favourite of the Group of Seven.
You will discover that today, this region remains rich in beautiful forests, crystal clear lakes, and rivers still filled with plentiful fish and game. This area is so lucky that so many vistas painted by the Group remain untouched today. There is a sense of beauty and serenity here that one must truly experience, much like the Group of Seven did just over a hundred years ago.
Remember, memories are made through a gathering of great moments, seven men captured their moments in Algoma, it is time to capture yours. Learn more about the discovery route here.
Drive north of the city along highway 17 and you’ll reach Chippewa Falls, the halfway point of Trans Canada Hwy 17. Visit this waterfall along the Lake Superior Circle Tour where painter A.Y. Jackson sketched the rapids which became “Streambed, Lake Superior Country”. Chippewa Falls also inspired J.E.H. MacDonald to paint ‘Batchewana Rapid‘.
The falls can be seen from the viewing bridge near the parking lot. To hike alongside the waterfall, please proceed with caution as trails can be challenging beside this fast moving water.
By Sault Tourism
The Sault Ste. Marie Museum, located in the heart of downtown, houses a fascinating collection of historical exhibits that helps visitors learn about the history of the city all the way back to its earliest days. Check out the Edmund Fitzgerald display in the Marine Gallery, which includes a replica scale model of the famous ship. View historic photographs to see what our waterfront and downtown used to look like, and enjoy some of local sport history including the Soo Greyhounds!
The Sault Ste. Marie Museum though is not just a space curated to tell the history of the local area, it also hosts many fun and unique events, publishes a weekly podcast series, contains a gift shop, and has a new interactive feature utilizing QR codes, which adds video and audio information to many of the displays. Come for a visit when you are in the Soo!
The Sault Ste. Marie Museum is a heritage building constructed originally as a post office between 1904-1906 after the city received $20,000 in funding from the Dominion Government. Like many buildings in Sault Ste. Marie it used sandstone excavated during the construction of the canal, with the iconic clock tower being added in 1912. At this point the Museum, then the Post Office was the largest and grandest building in the City and became a local landmark, being the first sight of the city for approaching travelers.
Today visitors can enjoy the typically Ontarian eclectic architecture combining several styles including uniquely cut stone walls, Romanesque arched windows, magnificent oak stair case and an exquisite three-storey skylight, and the 110 year old clock tower remains an iconic landmark of downtown Sault Ste. Marie.
The Skylight Gallery, on the second floor, is a walkthrough history and the story of Sault Ste. Marie from its early beginnings to the present day. Displays feature artifacts and information on the first people in the area with a full sized Wigwam and early canoe offering fascinating insight into historic life. Other displays feature information on the local fur trade, mining and the lumber trade, which as the displays tells, in 1810 became the main export from Canada.
Moving into the twentieth century the museum has exhibits on healthcare including nursing as well as policing and fire management. Additional information including archived video and audio is available via a series of QR codes, including the one below, which adds an interactive component to any visit of the Sault Museum.
The Discovery Gallery is a fun and interactive, hands-on learning children’s area. It contains artifacts and features nature species, photographs as well as a dress-up area. This space is also used to host workshops, activities and events, more of which is mentioned later in this article.
On the third floor is the Music Gallery, which showcases Sault Ste. Marie musicians and venues through the ages. Bands and musical groups originated at the turn of last century during the days of silent movies, and Sault Ste. Marie had its fair share of entertainers. Sounds from these bands would commonly be heard emerging from the Algoma Theatre, Grand Opera House and the St. Marys River Boat Club. During the 1950s and 1960s when smaller Rock & Roll bands became fashionable, musical acts would perform in local Sault Ste. Marie bars including the Victoria House, The Royal, Lock City Hotel and more.
The Music Gallery houses a collection memorabilia, artifacts and videos from these eras and also contains ‘The Sault Music Project’, a giant binder of past and present Soo musicians!
The Marine Gallery offers a pictorial display of early Great Lakes cruise ships, a brief history of the Locks and scale models of two of the more storied Great Lakes ships, the Edmund Fitzgerald and the Chicora.
The Chicora was a British blockade-runner for the Confederate Army during the American Civil War. Her role was primarily to transport guns and ammunition from Bermuda to Charleston. After the war, the ship was transformed into an overnight passenger and freight vessel, and carried mail and passengers from Collingwood to Sault Ste. Marie. In 1870, the Chicora was again involved in a dispute with America when she was refused entry to the American locks and was forced to unload its army destined for the Red River Rebellion. This particular incident, as well as a general tension between the two countries, spurred the building of a Canadian canal in Sault Ste. Marie.
The Edmund Fitzgerald is perhaps the most famous ship to be associated with the Great Lakes, having sunk in a November storm in 1975 killing the entire crew of twenty-nine. A scale model, as well as information about the ship’s fateful timeline, can be viewed in the Marine Gallery of The Sault Museum.
The Sports Hall of Fame gallery depicts local athleticism from the 1800s forward and features artifacts and photos showcasing the wide variety of sports that represent our city. Check out the Eliason Motor Toboggan, and a special commemorative display for the 1948 NOHA champions, the Soo Greyhounds!
A video presentation highlights various sports and the people involved. The gallery is dedicated to Russell H. Ramsay, local sportscaster, president & general manager of Hyland Radio & TV. He served as an Alderman on city council and served as the MPP for Sault Ste. Marie 1978-1985.
This gallery, on the first floor, is dedicated to Lt. Col. Walter Wallace, past commanding officer of the 49th Field Regiment RCA, past president of Royal Canadian Legion – Branch 25 – and past president of the Sault Ste. Marie & 49th Field Regiment RCA Historical Society. Walter was a big advocate for museum later serving as president of the board of directors. He helped oversee the move of the historical Society’s collection to the museum in 1983.
The museum’s wartime collection includes a selection of diaries from 1914 to 1918, military medals and badges, trench art, photographs, and uniforms among other items.
COMMEMORATIVE OLYMPIC METAL DATE: 1928
This bronze gold metal was awarded to Sault Ste. Marie local Olympian Boxer Ray Smillie in the 1928 Olympic Games in Amsterdam, Netherlands. The bronze disc has an image of a seated female figure; with the words stamped; “IX Olympiad Amsterdam, 1928”.
SURVEYOR’S STAKE DATE: 1846
The stake was used by local surveyor Alexander Vidal. The large square wooden post, pointed at both ends of the stake, features carved lettering on all four sides to depict the direction from the stake in which each divided land plot would begin. It was used to dictate plots and streets based on Vidal’s surveying.
COMMEMORATIVE KEYS DATE: OCTOBER 28, 1954 & NOVEMBER 7, 1963
These two commemorative keys were presented to the Grey Sisters of the Immaculate Conception during two significant ceremonies in Sault Ste. Marie. The keys celebrated the grand opening of the General Hospital’s addition of the New Pavilion’s B Wing in 1954 and the Pavilion’s A and Y wing in 1963.
Located inside is also a great gift shop, the Clock Tower Gift Shop, which contains unique books about the area, local art works, craft works by local consigners and various locally made gifts and goodies!
Every Thursday, the Sault Museum publishes a podcast under the series titled ‘Stories of Northern Life’. This unique and fascinating series covers local history, tells important local stories, and from time to time has a Q&A with Museum experts and staff, where often-wondered questions like ‘Is the museum haunted?’ are discussed.
The Sault Ste. Marie Museum runs many unique and fun events and activities each week. Whether it’s a Prohibition Event with beer tasting and trivia, Murder Mystery nights, Scottish Highland dancing or one of the various paint nights including ‘Bad Art Club’ and ‘Star Wars Paint Night’. All the information about the various events can be found here!
For more information about this wonderful collection of local history, visit the Sault Ste. Marie Museum’s website.
And did you know that you can pick up a 4-Culture Attraction Pass on the Sault Tourism website? This Pass will give you 10% off admission to the Sault Ste. Marie Museum as well as the Canadian Bushplane Heritage Centre, the Ermatinger Clergue National Historic Site and the Art Gallery of Algoma. Click here and scroll down the page to learn more. Plan your cultural visit in Sault Ste. Marie today!
The Bushplane Museum in Sault Ste. Marie is one of the Ontario’s top attractions. The Canadian Bushplane Heritage Centre (to use its full name) features a collage of attractions that suit all types of customers. Aviation enthusiasts will love the collection of vintage aircraft, families will find an educational and safe environment for their children to play and explore while an array of offerings is sure to entertain with something for everybody.
Here are some of top attractions and biggest reasons to visit the Bushplane Museum, in Sault Ste. Marie.
A staple of the Museum, the De Havilland DHC-2 Beaver, is the museum’s iconic airplane. Visible within the first few steps of the doors, the Beaver glimmers in the light cascading in from the large hangar doors. In 1978 the Canadian Engineering Centennial Board selected the Beaver as one of, “Canada’s most outstanding engineering achievements of the 20th Century.” Beaver CF-OBS, the feature of the museum, was the second Beaver to come off the production line, and the second to ever be produced. With just over 1600 produced, the Beaver is a must see in Sault Ste. Marie.
The Canadair CL-215 is the largest aircraft in the collection and has a rich history in forest firefighting. This aircraft was sold to France and used in efforts in maintaining their forests. After being decommissioned due to reaching its maximum number of “in air hours” and also as a result of the aircraft’s exposure to salt water over time. It was donated to the Centre by the French and was delivered directly off-the-ship via the St. Mary’s River. It had to be reassembled in the Museum due to its massive size.
For those with little ones, the Children’s Learning Centre is a fantastic way to introduce your children to flight and the science behind it. With arcade-style game consoles, interactive displays, and separated real airplane cockpits the Children’s Learning Center provides hands-on learning experiences for children of all ages.
Entomica Insectarium, run under the professional direction of President Dr. John Dedes, is a new addition and instant favourite in the museum. The award-winning non-profit organization sets out to educate the public on the complexity and true beauty that their insects hold. This mission combined with their vibrant and outstanding vivariums and insects from around the world provide an interactive and fun learning experience for groups of all sizes, people of all ages, and everyone in the family. In this sensational setting you may have the opportunity to handle some exotic insects under the supervision of their knowledgeable “bug wrangler” staff.
With almost 30 airplanes, including iconic craft like the Saunders ST27 , the Stinson Reliant, the Fokker and the Grumman CS2L Tracker you’ll have so much to see you’ll need a second visit. Plus the kids (adults are welcome too of course) can sit in a real cockpit and let their imaginations soar.
…Like the Ranger Tower. Trek your way up the Ranger Tower to practice your fire spotting skills. A great vantage point of the exhibit space and a unique opportunity for a photo.
The KR-34 Centennial Restoration is another key exhibit and project underway at the Bushplane Museum. This plane in particular, C-FADH, logged over 1900 hours in its open cockpit form. Although the current restoration is for display purposes only, it is still being fully re-covered and painted. You may find volunteers hard at work while still taking time to answer questions about the project and chat. This restoration began in January 2021 and will take between 2-3 years to complete based on the overall condition of the aircraft. The museum’s goal is to have the restoration completed by 2024, just in time for the 100th anniversary of the Ontario Provincial Air Service.
On the other end of forest firefighting endeavors would be the Museum’s Bell 47-D helicopter. It was first owned by Ontario Lands and Forests and was acquired in 1953. It was the first helicopter to be owned by a government agency in Canada and was donated by Canadore College in North Bay. It was used to spot and combat forest fires right here in Ontario.3. The helicopter was restored by CBHC volunteers after it was donated.
And then there’s the Wildfires! 3D Adventure, Forest Fire Protection exhibit, the Flight Simulator, and an inspirational section on Women in Aviation.
With so much to see and do at the Bushplane Museum, you’ll have to come back for another visit!
Visit the Bushplane Museum website to plan your next trip.
If the two buildings, the Old Stone House and the Blockhouse, could talk, they would tell stories steeped in adventure and intrigue about the rich and turbulent times of the fur trade; the aches and pains of early pioneer life and the development of industry along the St. Marys River.
Visit the Ermatinger Clergue National Historic Site to take a trip back in time over 200 years. See how some of the earliest European settlers in Sault Ste. Marie lived. Learn about the war of 1812 through interactive displays. Take part in some great events throughout the year that will bring these historic buildings to life. Enjoy an interactive audio tour to help guide you through the site or sit in the 50-seat theatre to watch a 25 minute movie that introduces visitors to the history of the area, the historic on-site buildings and the people that lived in them.
Learn more about Sault Ste. Marie’s rich history on a tour of the Ermatinger Clergue National Historic Site.
The Ermatinger Old Stone House has been fully restored to depict the domestic and professional life of Charles Oakes Ermatinger, a prominent business man who lived in Sault Ste. Marie from 1812 – 1828. Visitors can step back in time by walking through rooms recreated to resemble life 200 years ago. Fascinating pieces of information along the way will enhance the experience, such as learning about how, in the years after Charles Ermatinger had left, the house became a hotel, later a courtroom and also boarding house!
This iconic building dates back to 1819 when it was first build and used as a powder magazine. Later, at the turn of the century, Francis Hector Clergue added an upper level and converted it into a house with two bedrooms, a large living space, and the first indoor washroom. Visitors can tour through the building’s two levels getting another sample of historic Sault Ste. Marie life while learning more about Francis H. Clergue himself.
The War of 1812 was a 32-month long conflict between the United States and Great Britain fought in Upper Canada and Lower Canada. The Ermatinger Clergue National Historic Site contains a fantastic, interactive gallery of the war that shaped the North America we know today. Learn why the war was fought, what was the outcome, what were the key battles, and who were the famous faces. Read about famous naval skirmishes, and check out the uniforms worn during the war.
A superb selection of souvenirs are available at the gift shop. This includes souvenirs from Sault Ste. Marie and Canada as a whole, a selection of Group of Seven merchandise and work by local artists including local Indigenous artists. The gift shop also sells seeds and produce from the garden! Come and check it out, you’ll find a variety of things and everything special about Algoma.
12 events are planned throughout the year. In June there is the fantastic Lilac and Lavender festival and Poutine Feast – 4 days of Poutine from 8 different vendors with live music and kids entertainments! This is followed by the Strawberry Festival in July, Blueberry Festival in August. September is a big month for events with Fall Rendezvous which in 2023 will include a harvest festival and well as the traditional reenactors on the front lawn. Other events are planned for October including Halloween House and Halloween on Queen. Check out our events page here or follow the Ermatinger Facebook page here for all the latest info!
The Ermatinger Clergue National Historic Site is open year round! Come and see for yourself!
In 2019 Sault Ste. Marie commissioned the creation of large scale murals by both globally renowned artists as well as exceptional talent within our own community. The next year local partners launched the inaugural Summer Moon Festival created to celebrate art and the many voices in our community. Since 2019, new murals have been added each year, bringing the current total as of Spring 2024 to 19!
Enjoy the murals year-round on a walking tour of Sault Ste. Marie with all the information below.
Thomas Sinclair is Ojibway from Couchiching First Nation. As a young boy, Thomas was mentored in the art of Woodland style by the late Isadore Wadow. Currently residing in Sault Ste. Marie, Thomas has found happiness in returning to these roots and sharing his art with the world.
The inspiration for this mural comes from the sacred stories passed down for generations through the Anishinaabe Indigenous Peoples. Stories of Aadizookaan, Tales of Nanabijou, and pictographs of the area. The mural features Mishipeshu which is a very prominent mythological water being that is featured in the Agawa Pictographs. Nanabijou was a shape shifter that is part human, bear, thunderbird, and plant.
In the creation story Nanabijou and Mishipeshu were battling one another for the seven clans and overall humanity. In the mural these incredible beings are powered by women on either side. The North wall features a woman with berries in her hair. She has a strawberry heart and is holding a bear cub and thunderbird nest. This woman represents the spiritual medicine. Mishipeshu is powered by a woman on the west side of the building. Her spine made of strawberry and also has a heart berry. Her hand is made of a vine that grows more Berries. Both of these women draw their strength from Mother Earth.
Katrina is an established Canadian artist, and has been gaining traction internationally within the past year. With hyper realistic monochromatic and full colour portraits being her main focus due to the boldness and raw ability in allowing her to capture emotion, this artist’s talent is depicted on the canvas as she lets the art speak for itself to draw out deep emotion from her viewer. By leaving the background of her works predominantly untouched, it intends to draw focus onto every expression, no matter how subtle, hoping to impact the viewers in different ways.
“There was an array of different narratives that started running through my mind when I was met with the opportunity to create this mural. I wanted to portray something that would allow the viewers to look inward, and process different emotions while taking it in. Left side of the wall is bricks cracking and breaking off exposing a portrait of a women hidden behind. Right side of the wall is a hand reaching through to find beauty in the world. This piece encompasses the process leading up to a final breakthrough. Being on one side of a wall which is metaphorically representing the feelings and insecurities of loneliness and fear, all the while unaware of the positive outcome on the other side. Finding the courage to break down those walls we all carry within us is the first step in all forms of healing. As daunting of a leap as this may seem, the first step, and each one that follows will help uncover faith in a world where many walk in fear. This aspect is highlighted by what the woman is holding in her hand. Although she cannot see it, does not make it any less real.”
Known for his works lining the alleyways and streets of Toronto, Alex ‘Bacon’ Lazich began painting in the 1990s as a teenager. His work has evolved to deconstructing traditional graffiti spray techniques to create an abstract graffiti style while maintaining letter form.
This mural depicts a Canadian goose found in the Sault Ste. Marie area, painted in a kaleidoscope stained letter style of graffiti lettering, lines, shapes and shadows. The style of this mural is very modern, but is inspired by classic artists including impressionists and Old Masters. Bacon’s goal with his art is to make people smile and change the vibe of neighborhoods.
The octopus is a highly intelligent creature, with a remarkable ability to solve complex problems. As the most advanced invertebrate on earth, it serves as a symbol of the complexity and intelligence of the natural world. This image displays the octopus attempting to change the plastic problem, bringing attention to the pressing environmental issues we face today.
The octopus is a highly intelligent creature, with a remarkable ability to solve complex problems. As the most advanced invertebrate on earth, it serves as a symbol of the complexity and intelligence of the natural world. This image displays the octopus attempting to change the plastic problem, bringing attention to the pressing environmental issues we face today.
By Cindy Haat
654 Queen St E (East Wall)
Cindy began painting professionally in the medium of oil on canvas following her university studies in fine arts. Photography and sketching have been the main tools used in researching and composing her artwork. Cindy currently enjoy the freedom of painting with acrylics and her work has been described as “…energetic, fearless, full of emotion”. She strives to be free and relaxed in her approach to the actual painting process and enjoys researching subjects and trying to capture the essence of people, animals, and places as vibrantly as possible.
Inspired by the animated movie ‘Spirit’. “When the kids were little we watched it over and over again. At the time I had been exploring Metis heritage through art, exploring Ojibway style woodland type of painting. The horse and sun and land are all connected as we are to Mother Earth. Bebezhigooganzhii is the Ojibwa word for horse.”
Jerry Rugg aka birdO is a multidisciplinary artist based in Toronto. While his surreal geometric animals can be found on canvas, in digital print, and installation, birdO is primarily known for his large-scale mural work on walls and buildings around the world.
Painting on the side of the Rolling Pictures building, birdO reimagines the company’s horse in his unique surreal style. With a cohesive colour scheme and elements of motion, the large-scale galloping creature is impossible to miss. Painted within the eye of the horse is a reflection of the church on Spring St. in the Soo.
Daniela is from Columbia and was inspired by her homeland to paint a jungle theme with big bold graphics depicting nature and flowers.
A colourful magical jungle piece featuring Bachué. A mother goddess that according to the Muisca religion is the mother of humanity.
The Kindness Mural, a bold and graphic explosion of line and form, draws attention to the message to throw kindness around like confetti. Painted in the height of Covid-19 Annie was inspired to create a municipal landmark that sparks positivity and connection in isolated times.
Annie’s work melds the borders of drawing, sculpture and media installation, most recently exploring our interactions to the natural environment through observations of natural phenomena, and when she’s not doing that she paints pretty pictures of flora and fauna for no particular reason.
Kayla Buium, the street artist known as Milkbox, is an illustrator and professional rollerskater from Toronto, Canada. She uses bright colours and rubbery characters to spread positive messages to her community.
The girls depicted are leading each other into a brighter, happier, loving future, which is related to what the foodbank is doing to the people of the community. The strawberry, which is grown in Northern Ontario represents the heart, the bear represents strength and courage, and this too mirrors the foodbank, which represents the heart and strength of the community
Rihkee Strapp is a two-spirited Métis of the Wolverine Clan and was born in the small Northwestern community of Red Lake, Ontario. They are a multi-disciplinary artist whose practice includes traditional woodland painting, installation, performance, and social practice. Growing up, Rihkee was inspired by their grandmother’s print collective by the Woodland artists of the Triple K Cooperative silk screen company, who came out of Red Lake.
Mishiikenh Kwe (Turtle Woman) is Anishinaabe (Ojibwe/Odawa) from the caribou clan, her community is Magnetawan First Nation. She grew up listening to stories from her grandmother who is an Anishinaabemowin (Ojibwe language) teacher from Wiikwemkoong and draw most of my inspiration for paintings from those stories, thoughts and teachings I got from her and from ceremonies I attend.
Mishiikenh Kwe and Rihkee Strapp first began painting murals together at Nimkii Aazhibikong. Mishiikenh Kwe has always loved painting snakes because of her experience working in species at risk. While doing community outreach Mishiikenh Kwe noticed that lots of people expressed fear and dislike for snakes. Together the artists want to honour the snake and to build appreciation. Ring necked snakes are named for their distinct coloured pattern around their neck. This small local snake, if threatened will displays its bright underbelly to scare off predators.
“My work, and by extension, my life; has always been heavily influenced by horror, science fiction and comic books. When the owners of Outspoken brewery requested dragons burning down a city as their contribution to the downtown’s arts initiative, I got the call. My initial sketch was enthusiastically approved as it captured the 80’s metal album cover and post-apocalyptic feel that they were looking for. I don’t often get the opportunity to do commercial work that I can invest so much of my personality into; as a result, this has been amongst the more rewarding commissions of my career. I can only hope that the final product stokes the imagination and creativity of those who visit the terrace, enjoying a pint whilst bathed in dragonfire. “
Thomas Sinclair’s second mural is found opposite Outspoken brewery on Queen street. Its part of the story of Aadizookaan, sacred story. Normally the story is only spoken when snow is on the ground, or when the Pleiades is in the sky. Thomas believes it’s so important to share these stories, because we are losing so many of our elders and knowledge carriers.
“Tree of Life on the Rapids” was created to make people feel good, and to remind the viewer that all things in this life are connected. It depicts the “Tree of Life”, an iconic symbol for many cultures, which Sault Ste. Marie is becoming a home for. Behind the tree is the sun, which provides the energy needed for everything here on earth relies. From the tree of life comes our food, tools we need, wood for our homes, and the fire we use to keep ourselves warm.
As your eye travels down the trunk, the roots remind us that we need a firm foundation so we can stay grounded in this life. Another essential part of our life is water, which roots will always seek. As your eye scans to the right you can see them transforming into the rapids that Sault Ste. Marie has long been known for. In the middle of this transition is the raven. Before the use of modern technology, they were used to carry messages over long distances. Using the raven as a symbol of communication, visually represents Village Media and their goal of conveying community news.
Summer stoop is a mural based on a photo I took of someone I admired sitting on a stoop on a summer morning with their coffee cup still in hand, I added an extra hand to emphasize the relaxed gesture. I chose this composition because I felt it best suited the wall based on all the variables and factors I could manage to account for in my head when planning the design. It has all blue tones similar to the majority of my mural works lately, so this piece is a continuation of my blue mural period. I am proud to create a work in Sault Ste. Marie as it is somewhere I frequently visit on my Canadian road trips.
Emmanuel Jarus is a Canadian-born artist and muralist inspired by the visual human experience. His work reimagines how art can exist in public spaces. For the past 13 years, Jarus has been working with communities across Canada and around the globe to produce large-scale portraits and figures among other images on wall surfaces. They can be found within major cities as well as across rural settings. He has had notable international recognition as a contemporary muralist and figurative painter.
He studied briefly at the Academy of Realist Art in Toronto but attributes his knowledge of art to various influences including his grandmother, inspiration from graffiti, and resources found on the internet. The narrative Jarus depicts in his approach communicates a story of individual spirit relevant to the metabolism of that particular neighborhood.
A combination of acrylic, latex and aerosol paint is used to create representations of the people he’s inspired by along his travels. He enjoys painting in public space so that he can understand its context and express it through his work.
Katrina is an established Canadian artist, and has been gaining traction internationally within the past year. With hyper realistic monochromatic and full colour portraits being her main focus due to the boldness and raw ability in allowing her to capture emotion, this artist’s talent is depicted on the canvas as she lets the art speak for itself to draw out deep emotion from her viewer. By leaving the background of her works predominantly untouched, it intends to draw focus onto every expression, no matter how subtle, hoping to impact the viewers in different ways.
“I believe peace in its truest form, comes from within. For this mural I wanted to take the opportunity to represent the name of the restaurant the mural is being painted on in a literal way. The global symbol of peace, representing freedom from judgement, exclusion and negativity, is understood regardless of what language you speak. If we collectively conducted our lives with this symbol in mind imagine what the world could be.”
Born and raised in Sault Ste. Marie, Mark Grandinetti is a local artist who primarily creates pop art pieces often featuring cartoon and comic book characters, as well as images and figures from sports and entertainment. Heavily influenced by street art, graffiti, and modern art, his work often employs bold colours and evokes a sense of nostalgia.
This mural is inspired by the Soo Greyhounds, who play hockey across the street from the mural. It’s a recognition of the impact of hockey in the town and Mark hopes the mural will be an inspiration to artists and hockey players alike.
The painting features former Greyhound stars including Wayne Gretzky, Joe Thornton, Matt Murray and Darnell Nurse, who not only went on to have illustrious careers in the NHL, but have also proven to be great ambassadors for the game. Greyhounds hockey brings people together and helps to create a sense of community in Sault Ste. Marie.
“Hockey is more than a game. In Canada, it is a way of life. It encourages us to be gracious in victory and defeat. It teaches us to stay humble and play hard and to never give up ever.”
Jean Paul is a Métis artist from Vancouver Island, currently painting in East Vancouver. His work is informed by television and cinema, particularly Westerns, 70s sci-fi and Saturday morning cartoons. Using ultra-saturated colours, references to art history and well-worn cinema tropes, he seeks to understand the alienation to his own cultural backgrounds, both indigenous and settler. His work is an examination of his own life, through the reinterpretation of family stories using characters and motifs from the pop culture he was weaned on. The result is a very recognizable style of familiar figures in their own world of bright colours and flattened space.
The piece is inspired by some of the shipwrecks and landscape of Lake Superior, and the Elks… Jean Paul has a personal connection with Elks and has created many works of art that feature Elks including ‘War With The Elks’
I love wildlife that bother humans. We’ve made such a mess of their habitats and then are so peeved when they wander our communities trying to survive and thrive. I hope they win. We have much to learn from the ways of the natural world.
I asked Jason, the owner of this building, the first thing that came to mind for themes and he mentioned his dog that is often mistaken for a coyote. And so this wall kind of wrote itself. I really loved painting this, chatting to locals in a neighbourhood that is a little rough around the edges but has loads of heart. That’s where the magic is. In conversations and encounters that wouldn’t have happened any other way that shift us in the slightest ways.
By Peru 143 / Que Rock / Bacon
247 Albert St W
Cultural Connections is a truly unique collaboration between three great artists. On the right hand side facing the mural is the Falcon. The Falcon is representative of the area.
In the centre is Peru’s art. Peru143 is an internationally recognized Peruvian-Canadian muralist. Rooted in Positivism, Peru’s work aims to heal and uplift people’s spirits by transforming neglected and often oppressive spaces into safe, playful, and imaginative worlds. He describes his style as “playful geometry”. “All my work revolves around one common purpose; to heal, inspire and uplift people’s spirits. I didn’t know what I was going to paint until the moment we were all staring at the wall together. I was given the word “Biindigen” which means “Welcome” in Ojibwe and ran with it. This was the most effortless collaboration I’ve ever been a part of with communication often reduced to a nod. I couldn’t be prouder to have worked alongside legends Bacon and QueRock on this magical mural. 3 guys, 3 days and over 300 cans. One Love.”
QRock’s mural is on the left hand side. It depicts a medicine wheel; seven grandfathers and the thirteen grandmother clan system. Lots of geometry in the painting is based off of the teachings. Medicine wheels is 4 directions, seasons, earth, wind, fire, water. Wanted to create those layers of sacred geometry, so that it gives you a visual healing effect.
