21 culturally significant murals From LOCAL INDIGENOUS ARTISTS as well as artists from all over the world.
In 2019 Sault Ste. Marie commissioned the creation of large scale murals by both globally renowned artists as well as exceptional talent within our own community. The next year local partners launched the inaugural Summer Moon Festival created to celebrate art and the many voices in our community. Since 2019, new murals have been added each year, bringing the current total as of Spring 2024 to 19!
Enjoy the murals year-round on a walking tour of Sault Ste. Marie with all the information below.
BATTLE FOR THE SEVEN CLANS
Thomas Sinclair is Ojibway from Couchiching First Nation. As a young boy, Thomas was mentored in the art of Woodland style by the late Isadore Wadow. Currently residing in Sault Ste. Marie, Thomas has found happiness in returning to these roots and sharing his art with the world.
The inspiration for this mural comes from the sacred stories passed down for generations through the Anishinaabe Indigenous Peoples. Stories of Aadizookaan, Tales of Nanabijou, and pictographs of the area. The mural features Mishipeshu which is a very prominent mythological water being that is featured in the Agawa Pictographs. Nanabijou was a shape shifter that is part human, bear, thunderbird, and plant.
In the creation story Nanabijou and Mishipeshu were battling one another for the seven clans and overall humanity. In the mural these incredible beings are powered by women on either side. The North wall features a woman with berries in her hair. She has a strawberry heart and is holding a bear cub and thunderbird nest. This woman represents the spiritual medicine. Mishipeshu is powered by a woman on the west side of the building. Her spine made of strawberry and also has a heart berry. Her hand is made of a vine that grows more Berries. Both of these women draw their strength from Mother Earth.
Breakthrough
Katrina is an established Canadian artist, and has been gaining traction internationally within the past year. With hyper realistic monochromatic and full colour portraits being her main focus due to the boldness and raw ability in allowing her to capture emotion, this artist’s talent is depicted on the canvas as she lets the art speak for itself to draw out deep emotion from her viewer. By leaving the background of her works predominantly untouched, it intends to draw focus onto every expression, no matter how subtle, hoping to impact the viewers in different ways.
“There was an array of different narratives that started running through my mind when I was met with the opportunity to create this mural. I wanted to portray something that would allow the viewers to look inward, and process different emotions while taking it in. Left side of the wall is bricks cracking and breaking off exposing a portrait of a women hidden behind. Right side of the wall is a hand reaching through to find beauty in the world. This piece encompasses the process leading up to a final breakthrough. Being on one side of a wall which is metaphorically representing the feelings and insecurities of loneliness and fear, all the while unaware of the positive outcome on the other side. Finding the courage to break down those walls we all carry within us is the first step in all forms of healing. As daunting of a leap as this may seem, the first step, and each one that follows will help uncover faith in a world where many walk in fear. This aspect is highlighted by what the woman is holding in her hand. Although she cannot see it, does not make it any less real.”
The Lawn Sale
Megan Oldhues, is a Toronto based artist who developed her craft from the roots of the underground graffiti and street art scenes. Transitioning her off beat techniques into figurative and representational art, Megan’s work is best described as traditional realism inspired by the beauty of everyday life. She frequently employs unique colour palettes, playing with hues to evoke emotion and amplify impact in her work. Megan hopes to resonate with audiences by conveying compelling narratives and reflecting on universal experiences. Megan initially uses photos and digital drawing/ collage to create a pitch. Then, takes more developed reference photos to craft an original narrative. These are translated into lively large scale impressionistic works.
As the sun falls across the lawn, you pull apart boxes of memories past. Our eclectic collections have fulfilled their duties ready to serve someone new. “The Lawn Sale” is a celebration of the seasonal tradition of lawn and garage sales, but more importantly a reflection of life’s simple moments and our relationship with these physical objects and memories.
Northern Flight
Known for his works lining the alleyways and streets of Toronto, Alex ‘Bacon’ Lazich began painting in the 1990s as a teenager. His work has evolved to deconstructing traditional graffiti spray techniques to create an abstract graffiti style while maintaining letter form.
This mural depicts a Canadian goose found in the Sault Ste. Marie area, painted in a kaleidoscope stained letter style of graffiti lettering, lines, shapes and shadows. The style of this mural is very modern, but is inspired by classic artists including impressionists and Old Masters. Bacon’s goal with his art is to make people smile and change the vibe of neighborhoods.
CHanging Tides
The octopus is a highly intelligent creature, with a remarkable ability to solve complex problems. As the most advanced invertebrate on earth, it serves as a symbol of the complexity and intelligence of the natural world. This image displays the octopus attempting to change the plastic problem, bringing attention to the pressing environmental issues we face today.
The octopus is a highly intelligent creature, with a remarkable ability to solve complex problems. As the most advanced invertebrate on earth, it serves as a symbol of the complexity and intelligence of the natural world. This image displays the octopus attempting to change the plastic problem, bringing attention to the pressing environmental issues we face today.
Spirt Horse
By Cindy Haat
654 Queen St E (East Wall)
Cindy began painting professionally in the medium of oil on canvas following her university studies in fine arts. Photography and sketching have been the main tools used in researching and composing her artwork. Cindy currently enjoy the freedom of painting with acrylics and her work has been described as “…energetic, fearless, full of emotion”. She strives to be free and relaxed in her approach to the actual painting process and enjoys researching subjects and trying to capture the essence of people, animals, and places as vibrantly as possible.
Inspired by the animated movie ‘Spirit’. “When the kids were little we watched it over and over again. At the time I had been exploring Metis heritage through art, exploring Ojibway style woodland type of painting. The horse and sun and land are all connected as we are to Mother Earth. Bebezhigooganzhii is the Ojibwa word for horse.”
Mutant Mural
This mural was created by Portuguese artist Mutes Pintor. The mural is an explosion of intense primary and secondary colors that leap out from the background. The style is markedly Cubist Contourist but highly stylized (Art Brut) due to its rawness and vitality.
The composition is dense, a true ‘horror vacui’ (fear of emptiness), where shapes pile up and intertwine, filling the entire wall space and bringing color to everyone who passes by on that street. The figures appear to be an assemblage of ‘creatures’ or ‘characters’ that merge into one another, creating a complex visual tapestry. There is no single clear focal point; the eye is forced to scan the wall in search of every detail.
The contour lines are thick and black, a technique that emphasizes form and sharply separates it from adjacent colors, adding a touch of cartoon or intentionally naive comic book style, creating visual tension and giving the mural a sense of chaotic but joyful movement. The colors do not follow the rules of the real world; they are used for pure expression and emotional impact.
Many of them feature large, often disproportionate, fixed eyes that seem to look directly at the viewer. These eyes, sometimes white with black pupils, or red, give the figures a quality of vigilance, surprise, or primitive curiosity.
In short, it is a mural that communicates a raw and immediate energy, celebrating free expression through saturated colors and grotesque/playful shapes, creating a work that is both disturbing and entertaining.
Natural Therapy
“When I was first asked to paint a mural in the Plaza, it took some time to figure out what I wanted to create. At first, the idea was simple – I knew the colours I wanted: mostly oranges and blues. Shades that could hold their own in any season. Warm oranges to brighten the cold months, and cool blues to bring calm through the warmer ones.
As the concept evolved, I realized something inspired by nature would be the best fit- a contrast to the city’s harder edges, and a reminder of what lies just a short drive north. The deer became the heart of the piece, representing the duality of nature: gentle and forgiving at times, yet capable of testing your limits.
Looking out over Lake Superior, with the sun setting on a fall evening, the mural serves as a quiet reflection- that just as much as the world is happening around us, we are happening in the world.”
Rolling Pictures Horse
Jerry Rugg aka birdO is a multidisciplinary artist based in Toronto. While his surreal geometric animals can be found on canvas, in digital print, and installation, birdO is primarily known for his large-scale mural work on walls and buildings around the world.
Painting on the side of the Rolling Pictures building, birdO reimagines the company’s horse in his unique surreal style. With a cohesive colour scheme and elements of motion, the large-scale galloping creature is impossible to miss. Painted within the eye of the horse is a reflection of the church on Spring St. in the Soo.
Planta Muisca
Daniela is from Columbia and was inspired by her homeland to paint a jungle theme with big bold graphics depicting nature and flowers.
A colourful magical jungle piece featuring Bachué. A mother goddess that according to the Muisca religion is the mother of humanity.
Throw Kindness Around
The Kindness Mural, a bold and graphic explosion of line and form, draws attention to the message to throw kindness around like confetti. Painted in the height of Covid-19 Annie was inspired to create a municipal landmark that sparks positivity and connection in isolated times.
Annie’s work melds the borders of drawing, sculpture and media installation, most recently exploring our interactions to the natural environment through observations of natural phenomena, and when she’s not doing that she paints pretty pictures of flora and fauna for no particular reason.
Girls in Strewberry Field
Kayla Buium, the street artist known as Milkbox, is an illustrator and professional rollerskater from Toronto, Canada. She uses bright colours and rubbery characters to spread positive messages to her community.
The girls depicted are leading each other into a brighter, happier, loving future, which is related to what the foodbank is doing to the people of the community. The strawberry, which is grown in Northern Ontario represents the heart, the bear represents strength and courage, and this too mirrors the foodbank, which represents the heart and strength of the community
ring neck
Rihkee Strapp is a two-spirited Métis of the Wolverine Clan and was born in the small Northwestern community of Red Lake, Ontario. They are a multi-disciplinary artist whose practice includes traditional woodland painting, installation, performance, and social practice. Growing up, Rihkee was inspired by their grandmother’s print collective by the Woodland artists of the Triple K Cooperative silk screen company, who came out of Red Lake.
Mishiikenh Kwe (Turtle Woman) is Anishinaabe (Ojibwe/Odawa) from the caribou clan, her community is Magnetawan First Nation. She grew up listening to stories from her grandmother who is an Anishinaabemowin (Ojibwe language) teacher from Wiikwemkoong and draw most of my inspiration for paintings from those stories, thoughts and teachings I got from her and from ceremonies I attend.
Mishiikenh Kwe and Rihkee Strapp first began painting murals together at Nimkii Aazhibikong. Mishiikenh Kwe has always loved painting snakes because of her experience working in species at risk. While doing community outreach Mishiikenh Kwe noticed that lots of people expressed fear and dislike for snakes. Together the artists want to honour the snake and to build appreciation. Ring necked snakes are named for their distinct coloured pattern around their neck. This small local snake, if threatened will displays its bright underbelly to scare off predators.
phoenix rising
“My work, and by extension, my life; has always been heavily influenced by horror, science fiction and comic books. When the owners of Outspoken brewery requested dragons burning down a city as their contribution to the downtown’s arts initiative, I got the call. My initial sketch was enthusiastically approved as it captured the 80’s metal album cover and post-apocalyptic feel that they were looking for. I don’t often get the opportunity to do commercial work that I can invest so much of my personality into; as a result, this has been amongst the more rewarding commissions of my career. I can only hope that the final product stokes the imagination and creativity of those who visit the terrace, enjoying a pint whilst bathed in dragonfire. “
Sacred Story
Thomas Sinclair’s second mural is found opposite Outspoken brewery on Queen street. Its part of the story of Aadizookaan, sacred story. Normally the story is only spoken when snow is on the ground, or when the Pleiades is in the sky. Thomas believes it’s so important to share these stories, because we are losing so many of our elders and knowledge carriers.
Four Birds and a Bear
Josh Morley (Miskopwagan Asin) is an Anishinaabe artist, currently working in screen printing and mural work in Peterborough/Nogojiwanong.
He is a self taught illustrator, screen printer, and muralist. He is Anishinaabe, belonging to Wabauskang First Nation, and grew up in the outskirts of Sault Ste Marie, Ontario. Growing up, he had a love for illustration and spent many hours connecting with the land surrounding his childhood home. His work explores regional ecological issues, his personal relationship with nature, as well as his ancestral connection to the land. He has been part of solo and group shows within Ontario, the latest being the Our Story: Past and Present Indigenous group show held at the Museum of Dufferin in Mulmur, Ontario. He has also created a number of public pieces in Peterborough. Most notably, his road mural titled Glacial Formation for the 2022 Renaissance on Hunter – Road Mural Project. In 2023, he was granted the opportunity to take part in the Peterborough Change Makers Artist Residency. In this residency he worked closely with City of Peterborough staff and other stakeholders to better understand climate change and its effect on the community.
The inspiration for this piece comes from the landscape and wildlife surrounding Sault Ste. Marie. The Soo is situated in such a unique area. Even when you are downtown, you are only minutes away from nature. I wanted to highlight this by bringing some of the wildlife downtown in a larger than life scale.
Tree of Life on the Rapids
“Tree of Life on the Rapids” was created to make people feel good, and to remind the viewer that all things in this life are connected. It depicts the “Tree of Life”, an iconic symbol for many cultures, which Sault Ste. Marie is becoming a home for. Behind the tree is the sun, which provides the energy needed for everything here on earth relies. From the tree of life comes our food, tools we need, wood for our homes, and the fire we use to keep ourselves warm.
As your eye travels down the trunk, the roots remind us that we need a firm foundation so we can stay grounded in this life. Another essential part of our life is water, which roots will always seek. As your eye scans to the right you can see them transforming into the rapids that Sault Ste. Marie has long been known for. In the middle of this transition is the raven. Before the use of modern technology, they were used to carry messages over long distances. Using the raven as a symbol of communication, visually represents Village Media and their goal of conveying community news.
Summer Stoop
Summer stoop is a mural based on a photo I took of someone I admired sitting on a stoop on a summer morning with their coffee cup still in hand, I added an extra hand to emphasize the relaxed gesture. I chose this composition because I felt it best suited the wall based on all the variables and factors I could manage to account for in my head when planning the design. It has all blue tones similar to the majority of my mural works lately, so this piece is a continuation of my blue mural period. I am proud to create a work in Sault Ste. Marie as it is somewhere I frequently visit on my Canadian road trips.
Emmanuel Jarus is a Canadian-born artist and muralist inspired by the visual human experience. His work reimagines how art can exist in public spaces. For the past 13 years, Jarus has been working with communities across Canada and around the globe to produce large-scale portraits and figures among other images on wall surfaces. They can be found within major cities as well as across rural settings. He has had notable international recognition as a contemporary muralist and figurative painter.
He studied briefly at the Academy of Realist Art in Toronto but attributes his knowledge of art to various influences including his grandmother, inspiration from graffiti, and resources found on the internet. The narrative Jarus depicts in his approach communicates a story of individual spirit relevant to the metabolism of that particular neighborhood.
A combination of acrylic, latex and aerosol paint is used to create representations of the people he’s inspired by along his travels. He enjoys painting in public space so that he can understand its context and express it through his work.
Peace
Katrina is an established Canadian artist, and has been gaining traction internationally within the past year. With hyper realistic monochromatic and full colour portraits being her main focus due to the boldness and raw ability in allowing her to capture emotion, this artist’s talent is depicted on the canvas as she lets the art speak for itself to draw out deep emotion from her viewer. By leaving the background of her works predominantly untouched, it intends to draw focus onto every expression, no matter how subtle, hoping to impact the viewers in different ways.
“I believe peace in its truest form, comes from within. For this mural I wanted to take the opportunity to represent the name of the restaurant the mural is being painted on in a literal way. The global symbol of peace, representing freedom from judgement, exclusion and negativity, is understood regardless of what language you speak. If we collectively conducted our lives with this symbol in mind imagine what the world could be.”
Hockey Town
Born and raised in Sault Ste. Marie, Mark Grandinetti is a local artist who primarily creates pop art pieces often featuring cartoon and comic book characters, as well as images and figures from sports and entertainment. Heavily influenced by street art, graffiti, and modern art, his work often employs bold colours and evokes a sense of nostalgia.
This mural is inspired by the Soo Greyhounds, who play hockey across the street from the mural. It’s a recognition of the impact of hockey in the town and Mark hopes the mural will be an inspiration to artists and hockey players alike.
The painting features former Greyhound stars including Wayne Gretzky, Joe Thornton, Matt Murray and Darnell Nurse, who not only went on to have illustrious careers in the NHL, but have also proven to be great ambassadors for the game. Greyhounds hockey brings people together and helps to create a sense of community in Sault Ste. Marie.
“Hockey is more than a game. In Canada, it is a way of life. It encourages us to be gracious in victory and defeat. It teaches us to stay humble and play hard and to never give up ever.”
Two Ships, Three Elks; There Is No Folly Of The Beasts Of The Earth, Which Is Not Infinitely Outdone By The Madness Of Men
Jean Paul is a Métis artist from Vancouver Island, currently painting in East Vancouver. His work is informed by television and cinema, particularly Westerns, 70s sci-fi and Saturday morning cartoons. Using ultra-saturated colours, references to art history and well-worn cinema tropes, he seeks to understand the alienation to his own cultural backgrounds, both indigenous and settler. His work is an examination of his own life, through the reinterpretation of family stories using characters and motifs from the pop culture he was weaned on. The result is a very recognizable style of familiar figures in their own world of bright colours and flattened space.
The piece is inspired by some of the shipwrecks and landscape of Lake Superior, and the Elks… Jean Paul has a personal connection with Elks and has created many works of art that feature Elks including ‘War With The Elks’
The Road Will Meet You
By Dom Laporte / driftmuralco
102 Wellington Street East
https://www.instagram.com/domlasoul/
www.instagram.com/driftmuralco/
https://www.driftmurals.com/projects/sault-ste-marie-on-vivid-arts-festival
This mural portrays a student rising from a field of local flora, her gaze lifted toward a bright and limitless future. The Canadian flag on her chest speaks to both pride and belonging, while her headphones symbolize tuning out external noise to focus on her own path. The flowing cords ground her, connecting her vision and energy back to the earth.
The surrounding flora—maple leaves, orange wood lily (a nod to the Orange Room), white sage, tobacco leaves, and peonies—anchors the imagery in both local identity and cultural symbolism. Overlaying sketch-like lines on top of the realistic painting conveys the idea of beginnings: every bold step forward starts with a first draft.
Dynamic, transparent swoops cut across the composition, suggesting how even a single choice can shift the course of an entire vision. Light spatters and circular motifs evoke particles, energy, and discovery—subtle nods to science and the spirit of experimentation.
The overall effect is one of inspiration and momentum: a celebration of curiosity, growth, and innovation that reflects the creative and exploratory spirit at the heart of the STEAM lab.
Coyotes
I love wildlife that bother humans. We’ve made such a mess of their habitats and then are so peeved when they wander our communities trying to survive and thrive. I hope they win. We have much to learn from the ways of the natural world.
I asked Jason, the owner of this building, the first thing that came to mind for themes and he mentioned his dog that is often mistaken for a coyote. And so this wall kind of wrote itself. I really loved painting this, chatting to locals in a neighbourhood that is a little rough around the edges but has loads of heart. That’s where the magic is. In conversations and encounters that wouldn’t have happened any other way that shift us in the slightest ways.
Blooming
Working on street art since 2005, Dinho Bento has already had the opportunity to paint small to large murals in several countries on three continents. He has painted in large and small festivals and other related projects such as commissioned works and artist residencies. In his process, he usually seeks inspiration in the local context where he will paint, usually studying plant and animal species from that region or motivated by the emotions that emerged from that place. Thus, Dinho mixes these inspirations with his style and elements of his culture or his history. He sees it as a way of crossing paths with other peoples, leaving behind an image caused by a miscegenated inspiration. His paintings invite the viewer to observe the richness of the details and to relate in a light and reflexive way to the proposed theme.
The concept of this mural metaphorically illustrates a reflection on our intrinsic connection with the natural world. The female figure nestled in the trunk of the tree symbolizes the union between humans and the earth, suggesting that we are an integral part of a larger ecosystem. The hands that emerge from the trunk touching the flowers that bloom there, express the delicate interaction between humans and the environment that surrounds them. In this context, flowers represent rebirth, hope, and the capacity for transformation. Just as flowers sprout from the earth, in a constant cycle of life and death, opportunities arise in our lives, offering us the chance to grow and evolve. By viewing the woman amidst the flowers, the viewers are invited to recognize their own capacity to flourish, to overcome challenges and to find beauty and meaning in each moment of life.
Cultural Connections
By Peru 143 / Que Rock / Bacon
247 Albert St W
Cultural Connections is a truly unique collaboration between three great artists. On the right hand side facing the mural is the Falcon. The Falcon is representative of the area.
In the centre is Peru’s art. Peru143 is an internationally recognized Peruvian-Canadian muralist. Rooted in Positivism, Peru’s work aims to heal and uplift people’s spirits by transforming neglected and often oppressive spaces into safe, playful, and imaginative worlds. He describes his style as “playful geometry”. “All my work revolves around one common purpose; to heal, inspire and uplift people’s spirits. I didn’t know what I was going to paint until the moment we were all staring at the wall together. I was given the word “Biindigen” which means “Welcome” in Ojibwe and ran with it. This was the most effortless collaboration I’ve ever been a part of with communication often reduced to a nod. I couldn’t be prouder to have worked alongside legends Bacon and QueRock on this magical mural. 3 guys, 3 days and over 300 cans. One Love.”
QRock’s mural is on the left hand side. It depicts a medicine wheel; seven grandfathers and the thirteen grandmother clan system. Lots of geometry in the painting is based off of the teachings. Medicine wheels is 4 directions, seasons, earth, wind, fire, water. Wanted to create those layers of sacred geometry, so that it gives you a visual healing effect.
